monsters

Black and white print of Godzilla blasting the Transamerica building

Godzilla

36" x 36" Linocut

Printed on 42" x 42" Rives BFK Paper

Available - Edition of 25

Godzilla takes down the Transamerica Pyramid in San Francisco.

I grew up in the 1970's in suburban Detroit. At 3:30pm on Saturdays, I would turn on the television and tune to Channel 50 in order to be entertained by the Creature Feature. I would wait in anticipation for the announcement of the afternoon's film, and would be beyond excited to see anything from the Godzilla genre begin to play. Long before I knew the symbolism of these creatures, I would be captivated by the sheer spectacle of it all. They truly captured my imagination.

As an adult, now living in California, I began to build an art practice around the carved line. Taking sheets of linoleum, or blocks of wood, I would carve a relief into the surface, ink it up, and run it through a press. The results were intriguing - there is something extraordinary about a carved line. My subject matter for these prints began to evolve, and finally my creative impulses pushed me back to my childhood memories, where these creatures still lived. So I grabbed a 3 foot by 3 foot sheet of linoleum, and began to draw. Monsters from my memories began to wreak havoc in San Francisco, where I now lived, with a nod to Frank Miller, who could fill a frame with black ink like nobody else.

The black and white images are the original iteration of the prints. The color images are created by assembling cut paper on the surface of the inked plate before printing, creating a one-of-a-kind result.

Black and white print of Gamera entering through the Golden Gate Bridge

Gamera

36" x 36" Linocut

Printed on 42" x 42" Rives BFK Paper

Available - Edition of 25

Gamera enters throught the Golden Gate, and the famous span does not stand a chance.

Print of Mothra flying over San Francisco's Japan Town

Mothra

36" x 36" Linocut

Printed on 42" x 42" Rives BFK Paper

Available - Edition of 25

Mothra flies over San Francisco's Japan Town, with the twins and bystanders looking on.  Mothra was always benevolent, so it is spreading its magic dust across the southern edge of the City.

Black and white print of King Gidorah rising from Twin Peaks

King gidorah

36" x 36" Linocut

Printed on 42" x 42" Rives BFK Paper

Available - Edition of 25

King Gidorah rises from Twin Peaks, taking down Sutro Tower.

The Chase

24" x 24" Linocut
Available - Edition of 25
A new San Francisco skyline is featured in the background of this chase scene, where our favorite monster is in pursuit of a San Francisco Fireboat on the Bay.

black and white Shin Godzilla taking out the Sales Force Tower

Shin Godzilla

36" x 36" Linocut
Printed on 42" x 42" Rives BFK Paper
Available - Edition of 25
Completed shortly after the Salesforce Tower appeared on the San Francisco skyline. This piece represents a strange new future, where disasters are now Instagrammed and the monster represents bureaucracy.

pink series

Bright, colorful image of Godzilla with pink as an accent color

Pink Godzilla

2022

Private Collection - San Francisco

36" x 36" Linocut with collaged papers

Printed on 42" x 42" Rives BFK Pape

I took my linocuts and assembled cut papers on the surface of the inked plate. I printed the colored paper with archival inks on my Epson, and used a Xyron to apply the adhesive. The papers are assembled face down, with the adhesive side up.  I cut the papers to highlight elements carved in the plate. Once the papers completely cover the surface of the plate, I lay a sheet of Rives BFK paper on the assembly, and run it through my press. The result is one of a kind.

Pink Gidorah linocut printed on Rives BFK paper

Pink Gidorah

2022

Private Collection - Los Angeles

36" x 36" Linocut with collaged papers

Printed on 42" x 42" Rives BFK Paper

Pink Palmzilla linocut print

Pink Palmzilla II

2024

Private collection - Palm Springs

24”x36" Linocut with collaged papers

Printed on 36" x 42" Rives BFK Paper

Lipstick Godzilla large format print

lipstick godzilla

2022

Private Collection - San Francisco

36" x 36" Linocut with collaged papers

Printed on 42" x 42" Rives BFK Paper

Technicolor

Monsters

Movie Godzilla

2023

Private collection - Los Angeles

36" x 36" Linocut with collaged papers

Printed on 42" x 42" Rives BFK Paper

Using old comic books, I assembled reproductions of them on the surface of the ink plate to create this image.

Movie Gamera

2023

Private collection - Los Angeles

36" x 36" Linocut with collaged papers

Printed on 42" x 42" Rives BFK Paper

Using old comic books and French movie posters, I assembled reproductions of them on the surface of the ink plate to create this image.

Shin Godzilla

2023

Private collection

36" x 36" Linocut with collaged papers

Printed on 42" x 42" Rives BFK Paper

the chase - Pillars

2024

Private Collection

24" x 24" Linocut with collaged papers

Printed on 30" x 30" Rives BFK Paper

Mothra

2023

Private collection

36" x 36" Linocut with collaged papers

Printed on 42" x 42" Rives BFK Paper

Blue Palmzilla

2024

Private collection

24" x 36" Linocut

Printed on 36" x 42" Rives BFK Paper

sunrise Palmzilla

2024

Private collection

24” x 36" Linocut

Printed on 36" x 42" Rives BFK Paper

my process

I use various ephemera to add colors and graphic interest to my prints. Archival prints, currency, and books are just a few examples. Next, I use a Xyron machine to apply an archival layer of adhesive to the back of each paper that will be used to create the artwork. I hand cut and assemble the papers on the inked surface of the plate. Once all the papers are placed, a process which can take several hours, I then lay my sheet of Rives BFK onto the assembly. Once I run this through my press, the papers adhere to the Rives, the ink overprints the collage, and I create a one-of-a-kind result.